Domenico Ghirlandaio
Italian 1449-1494 Domenico Ghirlandaio Galleries Painter, mosaicist and possibly goldsmith. He was head of one of the most active workshops in late 15th-century Florence. He developed a style of religious narrative that blended the contemporary with the historical in a way that updated the basic tenets of early Renaissance art. Domenico documented material situation
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Domenico Ghirlandaio Last Supper (mk08) oil painting


Last Supper (mk08)
1480 Fresco,total width812cm Florence,Convent of San Marco,Refectory
Painting ID::  21223 		Domenico Ghirlandaio
Last Supper (mk08)
1480 Fresco,total width812cm Florence,Convent of San Marco,Refectory
   
   
     
Domenico Ghirlandaio Old Man and Young Boy (mk08) oil painting


Old Man and Young Boy (mk08)
1488 Tempera on wood. 62x46cm Paris,Musee National du Louvre
Painting ID::  21224 		Domenico Ghirlandaio
Old Man and Young Boy (mk08)
1488 Tempera on wood. 62x46cm Paris,Musee National du Louvre
   
   
     
Domenico Ghirlandaio Portrait of Giovanna Tornabuoni (nn03) oil painting


Portrait of Giovanna Tornabuoni (nn03)
1488Tempera on panel 77 x 49 cm 30 1/4 x 19 1/4 in Fundacion Coleccion Thyssen-Bornemisza Madrid
Painting ID::  23300 		Domenico Ghirlandaio
Portrait of Giovanna Tornabuoni (nn03)
1488Tempera on panel 77 x 49 cm 30 1/4 x 19 1/4 in Fundacion Coleccion Thyssen-Bornemisza Madrid
   
   
     
Domenico Ghirlandaio Detail from Saint Francis Restoring a Child to Life oil painting


Detail from Saint Francis Restoring a Child to Life
mk52
Painting ID::  26707 		Domenico Ghirlandaio
Detail from Saint Francis Restoring a Child to Life
mk52
   
   
     
Domenico Ghirlandaio Saint Francis Restoring a Child to Life oil painting


Saint Francis Restoring a Child to Life
mk52 c.1458 Fresco S.Triita,Florence
Painting ID::  26708 		Domenico Ghirlandaio
Saint Francis Restoring a Child to Life
mk52 c.1458 Fresco S.Triita,Florence
   
   
     
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     Domenico Ghirlandaio
     Italian 1449-1494 Domenico Ghirlandaio Galleries Painter, mosaicist and possibly goldsmith. He was head of one of the most active workshops in late 15th-century Florence. He developed a style of religious narrative that blended the contemporary with the historical in a way that updated the basic tenets of early Renaissance art. Domenico documented material situation

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